Get set to have lots fun. The Huntington High School drama club plans to stage a production of the 1944 Broadway hit comedy, “Harvey” this fall. The show ran for nearly 1,800 performances until 1949 and was later made into a movie and then staged again as a revival starring famed actors Jimmy Stewart and Helen Hayes.
Auditions will be held September 23-26 at 2:30 p.m. in the Huntington High School auditorium. Actors are asked to prepare a one minute comic monologue. Questions? Contact drama club faculty advisor Michael Schwendemann at email@example.com.
Huntington drama club advisor Michael Schwendemann.
The first rehearsal for the show will October 2. The curtain will rise for performances on Friday, November 22 at 7:30 p.m. and again on Saturday, November 23 at 2 p.m. and at 7:30 p.m. all in the high school auditorium.
“Harvey,” a Pulitzer Prize-winning comedy by Mary Chase, is the story of a perfect gentleman, Elwood P. Dowd and his best friend, Harvey; a pooka, who is a six-foot tall, invisible rabbit. When Elwood begins introducing Harvey around town, his embarrassed sister, Veta Louise and her daughter, Myrtle Mae, determine to commit Elwood to a sanitarium. A mistake is made, however, and Veta is committed rather than Elwood! Eventually, the mistake is realized and a frantic search begins for Elwood and the invisible pooka, which ends with Elwood appearing, voluntarily, at the sanitarium. In the end, however, Veta realizes that she loves her brother and his invisible his best friend just as they are and doesn’t want either of them to change.
A graduate of John Adams High School in Ozone Park, Queens, Mr. Schwendemann, or “Schwendy” as most students know him, earned a BA at CUNY-Queens College in communication arts and sciences and drama, theatre and dance. He obtained a Master of Fine Arts from the University of Alabama.
Mr. Schwendemann worked as an adjunct faculty member at Long Island University-C.W. Post College in the department of theatre, dance and film from 1996 to 2001. He was in Huntington UFSD during parts of 2001-2003 performing outreach for the National Shakespeare Company, but he never envisioned himself as a Huntington teacher.
“It was luck that landed me at Huntington High School,” Mr. Schwendemann said. “I was actually offered a job at Bay Shore High School, where I was student teaching, but the teacher I was to replace changed his mind about leaving. Nina Wolfe, the chair of the English department felt terrible and secured for me an interview at Huntington. The rest, as they say, is history!”
Mr. Schwendemann began working full-time at Huntington High School in January 2003 and quickly became a student favorite. He has taught freshmen English along with the elective classes Holocaust in Literature, Bible as Literature, Multicultural Literature, Public Speaking and Theatre Arts.
“I can’t imagine teaching any place else,” Mr. Schwendemann said. “From day one I was accepted into the high school community. I love my colleagues and most of all the kids. Some days they make it hard to love them, but that passes quickly. The support I have received from all parts of the administration is unparalleled.”
Mr. Schwendemann has graced the stages of the Alabama Shakespeare Festival, where he worked with Michael Emerson and Norbert Leo Butz, the Roundabout Theatre Company, The Folger Shakespeare Library Theatre with Allison Fraser, The Fringe Festival, Genesis Repertory Theatre and The New York City Opera. He is currently a member of the Airmid Theatre Company with whom he recently performed two shows of Susan Glaspell’s “Trifles” starring Margaret Colin at the newly renovated Suffolk Theatre in Riverhead.
As the faculty advisor to Huntington’s Class of 2006 and Class of 2010, Mr. Schwendemann maintains fond memories of those particular groups of graduates.
The drama club continues to energize the veteran educator. “The club has given me more happy memories than I can count,” Mr. Schwendemann said.
Drama Club’s Origins Date to 1928
“The Masque,” as Huntington’s drama club was known for many years, was first organized in the fall of 1928. “The original purpose of this organization was to develop individual talent in expression and artistic ability,” according to the 1931 edition of The Huntingtonian, the high school yearbook.
The early club was led by teacher Julia E. Vail, a graduate of Ithaca Conservatory. In addition to the study and practice of acting, Miss Vail held discussions on music, the art of make-up, book reviews and the merits of European and American theatres.
In 1929, months after being formed, the club invited the community to a three act comedy called “The Youngest.” At the time, the club had a policy of presenting a single play a year. In 1930 the production was the fantasy “Prunella.” “Both of these plays were received by the students and the townspeople with acclaim,” states the 1931 yearbook.
The Masque’s symbol was “an Oriental face cut into the semblance of a charm with the letters HHS across the top,” according to The Huntingtonian. Students qualified for the charm by participating in a play production or selling at least a dozen tickets to one.
About five dozen Masque members posed for the 1931 yearbook photograph on the front steps of the old high school on Main Street. It’s now town hall. More than 50 club members were photographed for the following year’s yearbook, this time posing on the steps alongside the colonnade then connecting the high school to the adjacent Main Street School. (The Main Street School was the smaller of the two buildings that now make up town hall. The colonnade has been replaced by a glassed-in hallway/reception area.)
The 1932 yearbook notes that year’s Masque production of “The Goose Hangs High” was “a great success.” The club continued to attract dozens of students each year. Plays were performed on the small stage in the old high school auditorium, the general area now comprising the town board meeting room.
There was a frequent turnover of faculty advisors during those early years. In 1936/37, teacher Virginia Lee Dyer, a graduate of Keuka College for Woman in upstate New York, led the club.
In 1937, about three dozen Masque members staged “I’ll Leave It To You” by Noel Coward. The club also produced a series of plays for student assembly programs throughout the year. According to the yearbook, Miss Dyer “encouraged student direction this year and because of this encouragement many of the members have directed assembly programs.”
The following year change came to Masque again. Teacher Grace Everest, a graduate of Brenau University in Georgia, assumed club leadership. The first production that year was a one-act play, “The Bathroom Door.” The big show for the year was delayed a couple of weeks. But, when the curtain finally went up on “Spring Dance,” the yearbook states it “was rated by many as the greatest Masque enterprise ever achieved.”
How Masque Operated
The 1938 edition of The Huntingtonian lays out some interesting details about how Masque operated. “Our meetings are held every other Thursday. Everyone has a good time, for as soon as all the business has been conducted the remainder of the time is given to entertainment. We have had musical renditions on the accordion, vocal selections and original skits. It has been agreed upon that the next major presentation will be a murder mystery. The membership has reached one hundred and many aspiring freshmen and sophomores had to be turned away as every Masque member must be at least a junior, according to the point system. For these would-be thespians, the Masque is sponsoring a one-act play, ‘Neighbors.’
In September 1937 the Paint ‘N Powder club debuted. “The idea was conceived when many of the Masque members expressed an interest in stage make-up,” according to the yearbook. “Miss Everest consented to teach a special class for a period of four weeks. During this time we gained some practical knowledge of several different types [of] make-ups – ingénue, juvenile, old-age, Indian, clown and Oriental. We assisted with the make-up for the ‘Bathroom Door,’ ‘Spring Dance,’ ‘Neighbors,’ and a grade operetta at another school. Then we reorganized as a club and now meet every Tuesday to explore the fascinating field of stage make-up.”
Masque Endures and Thrives
Masque continued to stage plays to much fanfare. During the 1956/57 school year the production was “Sunday Costs Five Pesos.” The 1957 yearbook bluntly states: “Masque is an extremely important member of the dramatic family of our school. It deserves full credit and appreciation of the student body.”
Sometime after the old high school building on Main Street closed and the new one opened at the intersection of Oakwood and McKay roads, the name Masque disappeared and was replaced by Thespian. Eventually, the leading performers were nominated for membership in the National Thespian Society, an honor group for drama participants. The top Thespians teamed up with other students to stage their own production each spring and they supervised the annual Play Festival, which continues to this day.
In 1961 an offshoot of Thespian was “Drama Workshop” consisting of “a group of aspiring Thespians,” according to the yearbook. “They have spent a busy year not only learning about the drama but also being generally busy and helpful around the dramatics department.”
The Masque of yesteryear is now simply known as the drama club. It stages a pair of productions each year, including a musical. There are still plenty of students eager to challenge and express themselves as each role requires. There are still those eager to learn and perform the music necessary for certain productions and construct the sets, handle the lighting and the sound, create the costumes and address all the other little details.